An egocentric artists' cooperative with no defined boundaries of discipline. The MPA exists as a protective cocoon where pretentiousness comes to morph gracefully into subtle arrogance. We post about our own art as well as art that we encounter throughout our travels.
Friday, December 31, 2010
Post-Modern Destructive Jazz
This was the finale piece azz Concerto for piano and reciprocating saws. It was performed in 4 seamless movements which were:
Movement 1: Improvisation
This movement feature freely improvising piano prepared with coins and wooden objects.
Movement 2: Detuning
movementg hammer detune playing. tension removed another cutting the strings in half with a bolt cutter.
Movement 3: Dissection
It is the 3rd movement features a small jazz ensemble improvising Mingus-like drones while duel reciprocating saws attempt to saw the piano in half. This movement ended up being much longer than anticipated. In fact, the saws were not able to complete the job and after more than 20 batteries and countless discarded blades, the performers gave up.
Movement 4: Destruction
This 4th movement was not initially planned as part of the composition, but was improvised at the last minute when I picked up a sledge hammer from backstage and manually smashed through the last bit of cast iron and wood holding the piano together.
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When I originally heard the concept of sawing a grand piano in half on stage during a recital I have to admit, I thought it would be great fun, but it might not really fit with the composition. I was dead wrong.
ReplyDeleteWhen the reciprocating saws bare down on the grand the trumpets get crazier, the guitars improvise, a bunch of other stuff happens that I don't understand... and they all play off each other splendidly! I love this piece!
"Who'd a thought a piano would be so hard to cut up?"
-Michael Walworth
This is the quote at the 6:07 mark of Movement III, correct? It is actually Scott Casper (one of the two saw players) that says, "Who'da' thought a piano would be so hard to cut up?".
ReplyDeleteIf you listen very closely, just before the saw starts back up again, you will hear me reply from off-stage: "Me."
haha... great. I stand corrected.
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